The
newspaper " Spirou " introduced " THE JUDGE DEE ", an inquiry, in 1967,
taking place in 667 in boundaries of the region of Mien yuan. The
drawings of Frits Kloezeman accompany a scenario of Robert Van Gulik.
format is two pages by weekly, and begins by N° on 1518 of May 18th,
1967 the coverage of which makes presentation. It is reached with it a
notice of a page relating to Robert Van Gulik and Frits Kloezeman.
Adventure
continues up to the number 1528 of July 27th, 1967. The last vignette
carries mention "to be followed". We can think that Robert Van Gulik
had wanted to carry this work also in his term. His decease, two months
later, prevented it from it.
I acquired the eleven
aforementioned numbers, and digitized it. A CD is available containing
this strip and an index, available on the page Mass media and Support.
- Films:
There seems to be only the single film, and a short television series,
relating the inquiries of the Judge DEE. I succeeded, after several
research months, in acquiring a VHS tape in French of "murders in the
monastery". I nevertheless kept the note accomplished during my first
vision of this film, in B.N.F, introduced below.
1-Film

"
Judge Dee and the Monastery Murders ", known also under title "The
Haunted Monastery", was accomplished in 1974, in the United States by
Jérémy Paul Kagan, film director of numerous series TV (Ally Mc Beal,
Dr Quinn, Roswell). A copy was broadcast in France by 1979, in French
version. There is not any more, this day, original copy. The National
Library of France (BNF) detains a master and a video copy of this
French version.
Original Title: The Haunted Monastery. Duration:
120 minutes. Colour. Sound: Mono. Language: English (Except tape French
Version.)
Actors:
| The
Judge DEE |
Khigh Dhiegh (Impossible Mission, The
Wild Wild West) |
| Tao
Gan |
Mako
(Pearl Harbor,
Crying freeman, Seven years in Tibet) |
| Kang
i-te |
Soon-Tek
Oh (All the President's Men) |
| Jade
Mirror |
Miiko
Taka (Shogun,
The Challenge) |
| Celestial
Image |
Irene
Tsu (Airport
1975) |
| Miss
Ting |
Susie
Elene |
| Prior |
James
Hong (The Art of War, Blade Runner, Waynes World 2) |
| Bright
Flower |
Beverly
Kushida |
| White
Rose |
Ching
Hocson |
| Pure
Faith |
Yuki
Shimoda (The battle of Midway) |
| Tsung
Lee |
Robert
Sadang |
| Lord
Sun Ming |
Keye
Luke (M*A*S*H) |
| Mrs.
Pao |
Frances
Fong |
| True
Wisdom |
Tommy
Lee |
| First
Driver |
Richard
Lee-sung (Another 48 hours) |
Some elements:
The
job accomplished by J.P. Kagan is, for a supporter of the novels of the
judge Ti, very close to the idea which they can make of our hero.
Certainly, there is difference between the novel and the film, but they
do not denature too much the general mind of the works of Robert Van
Gulik. I saw this film in B.N.F, in the conditions of a reading room of
library, with a helmet on ears... And am concentrated to me on the
parallel between writings and film, finally. It is going to be
necessary me to see again it to deepen this summary.
The history
that is related in " The Haunted Monastery ". In my sense, It is
necessary to greet the quality of the job made on decors: Buildings
correspond truthfully to those that I had imagined in the reading of
the book, and one treated on the clothes of the actors. Although
ancient, the general rhythm of the film makes it nice-looking, although
there is none of the special effects to which the American cinema too
much got used us. The actors play correctly (Except for a not much
inspired musician who entertained a lot me: I let you guess which of
four!).
Of the quoting of the Purists: Tao Gan, played by Mako,
has only one rather secondary role, when they know the importance which
it has in the team of the Judge; it lost its verruca in the three long
hairs and intervenes only little in the inquiry. Khigh Dhiegh (The
judge Ti) plays his role correctly; I regret the choice of this actor
nevertheless for physical reasons: Ti Jen-tsié is introduced in works
as particularly big and muscular, and carries a chignon needles of
which have to help it to solve the mystery of the secret room. Except,
the size of the actor does not correspond to this criterion, and the
impression of tiredness to be linked to its cold seems rather owed to
its overweight; alloyed with the shaven skull, the short beard and his
favourites in battle, they are far from the picture of potency and
waited authority. It should have made a perfect magistrate Lo, on the
contrary! (See the Red Pavilion).
Moreover, the judge Ti is
introduced with a dress of ceremony of blue Brocket, while it should
have been green; in the first stage of the storage, it is seen take out
a dirk of its sleeve, what our Magistrate would never have been able to
make, as much as it does not carry weapon, except for dragon de Pluie
when he moves on horseback. Voices heard in the halls of the monastery
disappeared in the film, as well as the cupboard in the storage; the
secret room takes colossal proportions, Rose's discovery - White in the
gallery of terror differs a little from the book and everybody meets in
the flats of the Judge, what is completely unthinkable. When on the
death of True Wisdom, literary fall brought more than the film suicide.
Finally, French adaptation transforms " Your Excellency " into " Your
Honour ", " the spouses of judge " in " the women of judge " (what
makes too coarse to my taste) and the "henchmen" become " the police
"... But these are points minor for whoever there only do not tie the
importance which I carried in the analysis of this adaptation.
On
the contrary, two things seem to me indeed incongruous. first of all,
the end: The judge fights against MB Mb-T square, cut down against
staff, and use the attack to park master Souen with the bear. This
stage does not bring the message which it transports in the book, and
that is a major key of the Mind of the judge Ti: In the film, they
understand that it is one fine to bretteur, and an opportunist with
regard to the presence of the bear. Whoever knows the inquiries of the
judge Ti know that the Magistrate is a solid adversary, but especially
that it is the upper intelligence and a fine psychologist: The debate
which it had with master Souen made understand to him that no appeal in
justice is possible. And it is knowingly that it decides to use trick
to put the criminal in front of his hangman "... It is in effect what
it will make if you are still of this world. Do not forget that the
instrument of justice is in your quoting. ". Then, the Judge collects
himself twice in front of the Altar of his forefathers; when they know
the importance of this ritual, and its involvement, these stages are,
in my view, of surplus in the film.
In spite of these some
criticisms, there remains nevertheless the interest of the only film
existing this day. Others have classes of realization... The file is
far from being rounded off!